Subpage Banner

[image only]

2017 Art Fund Selection

Work selected in 2017

William Mackrell, represented by The RYDER, and Emma Charlotte Price, represented by Two Queens, were selected from over 150 artists by Fund founders and the curatorial team of Manchester Art Gallery following an exhaustive panel discussion.

Speaking on behalf of The Manchester Contemporary its CEO, Thom Hetherington, said: “This is an exciting moment in Manchester’s cultural history as we invest in pieces for the future which generations will go on to enjoy.”

“As a trustee of Manchester Art Gallery I am well aware of the importance of its permanent collection and for the need for it to remain current, acquiring works from the most daring and relevant contemporary artists. The addition of both Emma and William’s work adds some important new pieces to that collection.”

Manchester Art Gallery: 

‘‘William Mackrell’s Aquarius is displayed in gallery 5 at present, in relation to Edwin Landseer’s The Desert, 1849. We hope that both Landseer’s lion and Aquarius will inspire thoughts on strength and vulnerability. Frederick Pickersgill’s Samson Betrayed, 1850, and Daniel Maclise’s The Origin of the Harp, 1842, hang opposite the Mackrell in this gallery, echoing the intriguing focus on hair, and again pointing to readings of power, weakness and exposure in the Mackrell. It was not an easy decision to site Aquarius here, as we initially had the Pre-Raphaelite gallery in mind, in particular Ophelia, and had also considered hanging it alongside 19th-century Romantic images of shipwrecks. It is precisely for this versatility that the curators are so pleased to have Aquarius in the collection, but for our visitors, who will encounter it unexpectedly in gallery 5, the thoughts and associations that it inspires will be wider still.’’

Why the work was chosen

‘’Emma Charlotte Price’s Mike I and Mike II are now in gallery 14, amongst the Dutch paintings of Home, Land and Sea (the title of the display). Rather than site the works amongst the traditional portraits, we chose to put them between Hendrik Sorgh’s A Fish Stall by a Harbour, 1650s, and a case of Dutch glass and ceramics, which you might think of as a working scene and a display of domestic items. Similar in scale to many of the exquisite Dutch works, Price’s paintings have a pale tone that shines beautifully next to the bright blue and white Delftware, so this seemed like a perfect position for them. We have a fine collection of portraiture of all types at Manchester Art Gallery, including works which, like Price’s, succeed in conveying an idea of a person without showing their physical appearance – Howard Hodgkin’s The Hopes at Home, 1973-77, for example. It is for this reason that we so appreciate the gift of Mike I and Mike II, as we are greatly looking forward to displaying them in the context of the collection for many years to come.’’

William Mackrell:

''It's an incredible feeling to be selected and supported by the Manchester Contemporary Art Fund and a huge personal step to have my work enter its first permanent U.K. public collection at Manchester Art Gallery. 

For 'Aquarius' to be chosen to hang in a live dialogue with the Museum's Pre-Raphaelite collection excites me for the potential to open a new way in for audiences to experience the Museum afresh and make a journey of connections between work made right now and the History of Art.''

Emma Charlotte Price:

''I am very excited to be selected by The Manchester Contemporary art fund. Gaining this support is particularly encouraging at this early stage of my career, it’s motivating to see your work in a public art collection and to know the history of Manchester gallery’s acquisition of young artist’s work.

The selection was also a great encouragement for the Artist-run-space that I am involved in - Two Queens, Leicester. It’s brilliant to have larger galleries like Manchester Art Gallery making that connection to the smaller, grassroots arts spaces that are doing some really exciting work throughout the UK.''

Supported in 2018 by

Aviva Investors

Arts Council England

5 Plus Architects

Cass Art

Cheadle Hulme School

G F Smith

Gusto

i newspaper

J W Lees

Jack Arts

Landmark Investments

Manchester City Council

Manchester Evening News

Manchester School of Art

The Principal

Willoughbys Wine